Compared to the butler's extremely aggressive and heavy-toned "main storyline," Lord Olga's approach seemed much gentler.
He primarily focused on elements of love, hate, and tangled relationships. He would have the protagonist bounce between several beautiful young women, forcing him to shoulder doubts and pressure from society, family, and friends. The protagonist would constantly waver between love, responsibility, and family, plagued daily by a messy web of troubles.
The process involved almost no "action scenes" or strange incidents with mysterious beings. Instead, it constantly pushed an agenda on the "reader," indoctrinating them with a certain worldview and making it easy for them to lose their sense of self, direction, and desire, ultimately becoming lost within the [Story].
Compared to the butler's "main storyline," Lord Olga's design was deceptively gentle, but sinister in reality.
