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The Counterfeit Duchess

Rhysmonde
7
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Synopsis
Aila is a baker's daughter. She kneads dough, counts coins, and keeps her little sister fed. That is the whole of her world—until the night she is dragged from her bed, stuffed into a dead woman's corset, and told to smile. The Duchess of Ashworth is gone. No one will say how. No one will say why. All Aila knows is this: she looks enough like the Duchess to fool a blind man, and the Duke is coming home from the war. Blind. Furious. And expecting his wife. The housekeeper's terms are simple. Play the Duchess, share his bed, keep him fooled—or her twelve-year-old sister dies. But Bastien Vourenne is not the kind of man you fool easily. He lost his sight to alchemical fire. He did not lose his mind. He can hear a lie in a heartbeat. He can smell fear on bare skin. And the woman in his bed does not move, breathe, or taste like the wife he left behind. He should call for the executioner. Impersonating a noblewoman is a death sentence, no exceptions, no appeals. He locks the doors instead. What neither of them knows is that someone in the household murdered the real Duchess. The proof is hidden in the cellar. The killer walks the halls freely. And Aila just became the only loose thread standing between a murderer and a perfect crime. She cannot run. She cannot confess. And she is falling for a man who will never forgive the lie.
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Chapter 1 - Prologue

Ashworth Hall, The Eastern March — Seven Months Before the War

Ismay came apart on a scream she did not bother to muffle.

Her back arched off the sheets, fingers clawing at the headboard, thighs clamped around the dark head buried between them. The sound tore through the bedchamber, raw and shameless, bouncing off stone walls and rattling the glass panes of windows that overlooked the black sweep of Ashworth's eastern forests.

Bastien did not stop.

His hands pinned her hips to the mattress, thumbs pressed into the soft hollows of bone, holding her still while his mouth worked her through the last shuddering pulse of it. He was thorough. He was always thorough. It was the single most infuriating thing about him.

"Enough," Ismay gasped. "Bastien— enough—"

He pulled back slowly. Deliberately. His lips dragged across the inside of her thigh, teeth grazing skin, and she felt him smile against her—a private, self-satisfied curve of mouth that made her want to slap him and pull him closer in equal measure.

"You said that three minutes ago," he murmured.

His voice was low and unhurried, roughened by exertion but still maddeningly composed. As though he had not just spent the better part of an hour dismantling her, piece by piece, with his hands and his mouth and that terrible, patient focus he brought to everything.

She hated him for it, sometimes. That control. That suffocating competence.

He rose over her, and the firelight caught the hard planes of his torso—the ridged stomach, the brutal V of muscle that cut below his hips, the old scar across his ribs that she had never bothered to ask about. His shoulders blocked the candlelight. His dark hair fell across his forehead, damp with sweat, and his eyes—grey, sharp, unbearably clear—watched her with an intensity that made her feel pinned even without his hands holding her down.

She reached for him. Drew him down by the back of his neck.

"Again," she whispered against his jaw.

He obliged.

When he entered her, she stopped thinking. That was the gift of it—the only gift this marriage had given her that she actually wanted. His body, his hands, the way he moved inside her like he had memorized the architecture of her pleasure and was simply walking through rooms he already knew. She wrapped her legs around him and let herself disappear into sensation, into heat, into the mindless, animal satisfaction of being well and thoroughly fucked by a man who treated it like a discipline.

Her fourth orgasm broke her open like a fist through glass.

She bit his shoulder to keep from screaming again. Tasted salt. Felt his rhythm falter—the only sign that he was human, that the control could crack—and then he followed her over the edge with a groan he buried in her neck, low and rough and private, and for a moment they were just two bodies tangled in damp linen, breathing hard, hearts hammering against each other's ribs.

Bastien rolled off her. Onto his back. One arm thrown over his face.

Ismay lay beside him, staring at the canopy, waiting for the trembling in her thighs to stop.

Four, she thought. Four, and he could have given me more if I had asked.

She did not love him.

She was not certain she was capable of it—love, in the way the poets meant. But she understood value, and Bastien Vourenne's value was considerable. The title. The wealth. The trade routes that made Ashworth the richest duchy in the Eastern March. The fact that he was tall and broad and devastatingly skilled with his hands and his mouth and every other part of himself that he put to use in this bed.

She had married well. She knew it. Her mother had wept with relief at the betrothal.

The rest of it—the endless ledgers, the tenant disputes, the grim-faced officers who tracked mud through her halls, the monstrous grey dog that growled at her every time she passed—that was the price. And Ismay had decided, somewhere in the first month, that the price was too high for what she received.

A husband who was competent, yes. Attentive, yes. But who looked at her with those grey eyes and saw—what? A wife. A duty. An alliance sealed in flesh.

Not a woman. Never quite a woman.

She turned her head. Bastien's breathing had already slowed. His chest rose and fell in the deep, even rhythm of a man who could fall asleep anywhere, anytime, a soldier's habit she found both impressive and insulting.

His jaw was sharp in the firelight. His mouth relaxed. He was, she admitted with the grudging honesty she reserved for private thoughts, the most handsome man she had ever bedded.

And he bored her absolutely senseless.

The pounding came at dawn.

Three sharp blows on the bedchamber door. The kind of knocking that did not wait for permission.

Bastien was on his feet before Ismay had opened her eyes. She heard the rustle of linen, the soft thud of bare feet on stone, and then the door groaning open on its iron hinges.

"Your Grace." Captain Wren's voice. Clipped, tight, stripped of everything except urgency. "A rider from the capital. The king's seal."

Silence.

Ismay sat up, pulling the sheet to her chest. Through the crack in the door, she could see Wren's scarred face, the woman's jaw set like a trap.

"When?" Bastien said.

"An hour ago. He near killed his horse getting here. Silas has him in the great hall."

Another silence. Longer this time.

"Give me five minutes."

The door closed. Bastien stood with his back to her, one hand resting on the iron latch, his head slightly bowed. The muscles across his shoulders were rigid.

"What is it?" Ismay asked.

He did not answer immediately. He crossed to the wardrobe, pulled out a shirt, dragged it over his head. His movements were efficient, mechanical, stripped of the languid grace he carried in bed. This was the other Bastien. The one she liked considerably less.

"Bastien. What is it?"

"War," he said quietly. "Or close enough to taste it."

She found him in the great hall an hour later, standing over a map table with Silas Crowe and three of his senior officers. The rider from the capital sat in a corner, grey-faced and trembling, a cup of wine untouched in his hands.

Ismay stood in the doorway and listened.

The words meant little to her. Khaelic Compact. Southern border. Mobilization orders. She understood the shape of it without caring about the details—the king wanted soldiers, and Bastien had them, and therefore Bastien would go.

She waited until the officers filed out. Until Silas's lean, unsettling frame disappeared through the servants' corridor. Until it was just the two of them and the fire and the silence.

"You are not going," she said.

Bastien looked up from the map. Those grey eyes. Calm. Measuring.

"The king has called his banners, Ismay."

"The king can call what he likes. You hold the Eastern March. You have the authority to refuse, and you know it. The Ashworth Charter grants you—"

"I know what the Charter grants me."

"Then use it." She crossed the hall, her slippers whispering on stone. "Send your men if you must. Send Wren, send Silas, send every officer in this hall. But you do not go yourself. You are the Duke of Ashworth, not some common soldier to be summoned and spent."

He studied her. Not with warmth. Not with anger. With that terrible, patient attention that made her feel like a ledger being audited.

"Four thousand men," he said. "I am asking four thousand men to march south and die for me. You would have me give that order from the comfort of my hall?"

"Yes! That is precisely what I would have you do, because that is what dukes do, Bastien. They command. They do not throw themselves onto the same sword as their soldiers."

"My father did."

"Your father is dead."

The words landed like a slap. She saw it in the flicker across his jaw, the brief tightening of his mouth. She did not apologize. She did not know how.

"If you go," she said, and her voice cracked despite herself, "if you go, and you die—what becomes of me? Have you considered that? Have you given a single thought to what happens to your wife, alone in this hall, with no heir, no protector, and the crown circling like a vulture?"

"Ismay—"

"Do not Ismay me. I am asking you a question. What happens to me?"

He was quiet for a long time. The fire popped. Somewhere in the corridor, Brutus whined.

"The estate is protected by law," he said carefully. "The Charter—"

"Damn the Charter! A piece of parchment will not keep me warm, Bastien. A piece of parchment will not hold this estate together when every lord in the March smells weakness and comes for what is yours. What is mine."

She was shaking. Not from grief—from rage. From the specific, choking fury of a woman who had traded her body and her name for security, only to watch that security march itself cheerfully toward a battlefield.

"I am going," Bastien said. "The matter is settled."

"It is not—"

"It is."

Two words. Quiet. Final. Spoken with the same unhurried authority he used to command armies, manage estates, and bring her to screaming climax.

She hated that voice.

She picked up the nearest object—a pewter candlestick—and hurled it at his head.

He caught it. Of course he caught it.

Set it down on the table without breaking eye contact. Turned and walked out.

Ismay screamed.

The sound ripped through the great hall, raw and ragged, bouncing off the vaulted ceiling. She swept the map table clear—papers, ink pots, the rider's untouched wine—and everything crashed to the floor in a cascade of shattering glass and scattering parchment.

Margery appeared first. The senior lady's maid hovered in the doorway, pale, hands twisting in her apron.

"Your Grace, please—"

"Get out."

"Your Grace, if you would only—"

Ismay grabbed the wine cup from the floor and threw it. Margery ducked. The cup struck the doorframe and clattered into the corridor.

Peg came next. The young scullery maid peered around Margery's shoulder, eyes wide, a bruise still yellowing on her cheek from where Ismay had struck her three days ago for folding a chemise wrong.

"Should I fetch—"

"I said get out! All of you! Every last one of you useless, simpering—"

She upended a chair. Kicked the leg of the map table. Pain lanced through her foot, and she shrieked again, not from the pain but from the fury, the helplessness, the unbearable indignity of being left.

The maids scattered. Ismay could hear them in the corridor, whispering, shuffling, too afraid to leave entirely and too afraid to stay.

She was reaching for a second candlestick when the footsteps came.

Slow. Measured. The faint clink of keys on a chatelaine.

Mrs Hargrave appeared in the doorway like a shadow given permission to solidify. Tall, grey-haired, straight-backed, her face arranged in an expression of such perfect, practiced calm that it bordered on insult. She surveyed the destruction—the scattered papers, the broken glass, the overturned chair, the Duchess standing in the middle of it all, chest heaving, eyes wild—and she did not flinch.

"Your Grace," she said. Just that. Just the title.

"He is leaving." Ismay's voice broke on the second word. "He is going to that—that stupid war, and he will not listen, and I cannot—"

"I know."

"He will die. He will die, and I will be left with nothing. Nothing, do you hear me? This hall, this title, it means nothing without—"

She stopped. Swallowed. She had almost said something honest, and the taste of it repulsed her.

Mrs Hargrave stepped into the room. Glass crunched under her boots. She moved with the careful efficiency of a woman who had been cleaning up after catastrophe for thirty years and expected to do it for thirty more.

"Sit down, Your Grace."

"I will not—"

"Sit. Down."

The voice did not rise. It did not sharpen. But something in it shifted—a weight, a gravity, the quiet authority of a woman who had managed this estate since before Ismay was born and would manage it long after.

Ismay sat.

She did not know why. She never knew why. Mrs Hargrave had that effect—the ability to make commands sound like invitations and invitations sound like commands, and either way, you obeyed.

The housekeeper righted the overturned chair and placed it beside Ismay. She did not sit in it. She stood, hands folded over her keys, and looked down at the Duchess with an expression that, in a different woman, might have been called tenderness.

"He will go," Mrs Hargrave said. "You will not stop him. No woman alive could stop that man from doing what he believes is right, and you have been married to him long enough to know it."

"Then what am I supposed to do?"

"You are supposed to be the Duchess of Ashworth. You are supposed to hold this estate, manage this household, and endure. That is what duchesses do, Your Grace. They endure."

Ismay's lip trembled. She bit it until it stopped.

"I did not marry him to endure."

Mrs Hargrave regarded her for a long moment.

"No," she said softly. "I do not suppose you did."

She reached out and smoothed a strand of dark hair from Ismay's damp forehead. The gesture was gentle, almost maternal, and Ismay hated herself for leaning into it.

"Come," Mrs Hargrave said. "I will draw your bath. We will sort your hair. And in the morning, you will stand in the courtyard and watch him ride out, and you will not weep, because the servants are watching and the tenants are watching and the whole of the Eastern March is watching, and a Duchess does not break where people can see."

Ismay closed her eyes.

In the corridor, Brutus howled—long, low, mournful—as though the hound already knew what was coming.

And somewhere in the village of Oakhaven, three miles down the ridge, a baker's daughter named Aila pulled her bread from the oven and did not know that her life was already ending.

She just did not feel it yet.