This brochure is prepared for the "Southern Trade Conference," and it's done very beautifully.
At first, Zhang Changqing was captivated by the verdant mountains and clear waters, the idyllic village on the cover—a colorful image, a camera shot, like a mystical fairyland, yet with a different earthly charm.
This era doesn't have the futuristic technology methods of later generations; all product illustrations are photographs of real objects. Each set of furniture is arranged according to the same series, not shot in the same space, but the layout looks like it forms a cohesive whole.
Magpies on branches, dragons and phoenixes presenting auspiciousness, wealth and double happiness...
The Chinese-style furniture incorporates other elements that Zhang Changqing doesn't understand, but surprisingly harmonious, whether from an aesthetic or a practical standpoint, it's flawless.
The furniture is also divided by function, mainly into two major modules: home use and office use.
